Death's Daughter
An intricate Celtic design on unprimed canvas forms the background for a portrait of young girl in white. The figure is rendered as skeleton on the left and with flesh on the right. There is a vague indication of white birds flying around the figure made of sheer fabric appliquéd to the canvas.
Euphoria
This large canvas features a bald adult female figure surrounded by plump cherubs with wings. The intricate background suggests a setting of an astral plane and supplies a startling intricacy for a piece with a very limited pallet of pinks, grays and black.
Emerging
A beautiful, bald female figure with large lips is set against a intricate background of many colors. The background coordinates perfectly with the the electronic components that are added to the base of the canvas. And a wire like line indicates that the figure gains her power from the electronics.
Jimmy Page 1
This silk screen shows a guitarist in black and gray. The background defines the figure which emerges on the area blocked in the silk screen process. The composition suggests a fascination with album jackets that occur elsewhere in this artist's work.
True Enemy
This study in positive and negative spaces shows two figures at the center — the one on the right rendered as a negative. Both are set against an astral background and two small patches of color direct the eye through the piece from upper left to lower right.
The Vampyre
This small pencil drawing shows a close-up of a girl's face fully rendered in great detail. The turban like head gear and fabric folds around the shoulder focus the eye toward the full sensual mouth with a drop of blood dripping from the corner.
Jimmy Page 2
This is the same guitarist as represented in the silk screen. But, this drawing renders the figure in great detail. The tossled hair is backlit and forms a halo behind his head. The gesture of the body suggest great energy put into the moment of performance.
Copy of Raphael's St. Catherine of Alexandria
This classically rendered drawing demonstrates that artist's have learned craft by copying the masters. Like many Renaissance drawings this piece focuses on the face by rendering it with much greater detail than the body and hand.